In a mad world, only the sane are crazy..

To me, a classic is one that can stand the test of time. And a true comedy is one which doesn't try to be too smart nor trying to downplay the importance of message, meaning striking some sort of balance between the two.

I'm not trying to say that this movie is the best Malaysian Comedy of all time. But the combination of extreme comedy and subtle message of societal orientation may have brought Sikit Punya Gila a kind of a cult status in the history of Malaysian cinema.

Who can ever forget the "kuda longkang" scene, which depicts the gambling and "easy money" phenomenon that has plaguing our society until now. Not to mention, the scene is funny as hell. That's how subtle the message is displayed, by layering it with a comedic storyline, which is simply Comedy 101.

It's amazing how things have changed. In the film, it shows that you even have people working as elevator opreators, which is insanely amazing. At this point in time, where productivity is the main key in our nation building process, it ponders the question, how lazy can you be, if you even need someone to push the elevator button for you..?

As a storyteller, Raja Ismail and Zulkifli Ahmad paints a pretty good picture of how the public dealt with the demanding environment of our country in its developing stages. It shows how money is the main factor and initiative in everyday life, and how it controls every aspect of behaviour and mindset of the people.

The comedy in this film is spot on too. The comedic elements have a certain "next-door" type of feel, which makes the audience relates to it even more. The characters are woven into a neighborhood which one might wonder if it was depicted from their own backyard.

Comedy Classic 101. No straightforward preaching. Subtle Message. Outrageously Funny.

This film gets my vote.

Not Minang, but loving it.....

Growing up, to have a real life story that you can read and relate to is like finding a needle in the haystack. I mean, those days, there were many reading materials for kids and teenagers. But nothing could have prepared for the impact that Aku Budak Minang would unleash on all the adolescent souls that have read it.

The way Ujang brought the timeline of his life and weave it into a storyline is priceless in a literary sense. I mean, the language used is not really the DBP-style of BM. But still, it was gripping and intense as a peronal memoir of sorts. It's like hearing a story of your best friend's life. And Ujang has managed to befriend all the readers with this piece as the presentation was casual, simplistic, and radical in a comical-type of literature.

Having read Ujang's thought's about his mom (Air mata aku mengalir bukan kerana sakit dirotan mak, cuma aku terpikir, tak penatkah mak memukul aku dari kecil hingga aku besar?), was just enough to make me wish I was there for him as a friend and lend him my ears and my acquaintance. He was that close. And in my opinion, that's a hell of an accomplishment to have manage in making your readers felt like that.

I can't say I led a similar life to Ujang's. I mean, where as other parents would be mad as hell if their kids read Gila-Gila, my dad was totally an advocate of reading, that it doesnt matter if I read comics, magazine, or humour magazines. As long as it's approved by him, I could get away reading anything.

That's how lucky I was.

This is the one book I'm glad my dad approved.

Define or Defy the Race........

I was never a fan of Erma Fatima. Neither as an actress, nor a director. I mean, no disrespect to her past achievements. She was superb in Hati Bukan Kristal (1990), and her directorial debut, Jimi Asmara is quite alright. But when she came out with this gem, I was in awe.

Who would have the balls (no pun intended!) to carry a movie with a theme that was so controversial, at a time when the nation is at loggerheads about issues on race, politics, and dignity. The movie captured the essence of being at the end of a crossroad, which one would have to define the real meaning of having the liberties of freedom, or a culture that binds a whole race together.

And the fact that the movie is written by Hishamuddin Rais, maybe does have it effects on the idealisme that the movie potrays. And the film was so good, that it even made Eizlan Yusoff's performance believable. No offence to him as well.

In my opinion, one of the best Malays movies in the 90's.

Bright side of the moon...

What do these two men have in common?

One is Bing Slamet and the other one is Sam Saimun. Both of these men have sung the song that in my opinion, is undoubtedly, the best love song EVER, in history.

Am I exaggerating? No, I am not. It's such a wonderful song that it'll make the hair on your back stand as you hear an honest outpouring by a man to his woman. And if you're a girl, you might want to grab some tissue paper before you really want to indulge this poetic masterpiece.

Composed by Mochtar Embut, the song has been covered by a wide range of singers from S. Effendy, Hetty Koes Endang and even our very own Sharifah Aini. But none of them can match those two gentlemen that I mentioned earlier. Both of them brought justice to the song, as the song this magnitude needs someone who can carry it wholeheartedly, and these two certainly did.

Some might wonder, is it THAT good? Just look at the lyrics, and you'll see what I mean.

Di wajahmu ku lihat bulan

bersembunyi di sudut kerlingan

Sadarkah puan kau ditatap insan

yang haus akan belaian

Di wajahmu ku lihat bulan

menerangi hati gelap rawan

Biarlah daku mencari naungan

di wajah damai rupawan

Serasa tiada jauh dan mudah dicapai tangan

Ingin hati menjangkau, kiranya tinggi di awan

Di wajahmu ku lihat bulan

yang mengintai di balik senyuman

Jangan biarkan ku tiada berkawan

Hamba selalu menantikan

Still not convinced? then listen to it yourself..

They dont make it like they use to. Brilliant.

Get back in line....

I've decided.
I'll try something new.
I mean, something extra on the side.
Just to keep the momentum going.

One month hiatus is just too long.
No one benefits from it.
I need to start writing again.

So, my two cents worth will be one of the many changes I'm making.
Be it movies, music, books...anything.
And as u can see, I'm now using my real name.
No more nicknames. Not that I hate it.
Just something new. It's still me, so no big deal right?


So, as the header suggest, bear with me aite...? :-)